Thanks to TV's crime scene investigation shows, forensic technology has entered popular culture. Combining puzzle solving and a dramatic storyline, these shows fascinate audiences as high-tech procedures uncover the truths hidden in seemingly insignificant clues. What many people may not realize is that forensic teams also use items they probably have in their own homes Â- digital cameras, computers, and Photoshop image editing software. "Adobe Photoshop Forensics: Sleuths, Truths, and Fauxtography" shows you how Photoshop is used to create many types of fakery and fraud, including scientific, counterfeiting, art, journalism, and political propaganda. You'll discover that with some basic training in Photoshop's manipulation capabilities and a critical eye, you too can see through photographic hoaxes. Follow along as each chapter explores a different genre of real-life frauds, both historical and current, and explains how the fakery was or could be detected. A featured case file in each chapter carefully deconstructs a faked image so you can see the methods and processes followed by the image editing professionals who solve - and the perpetrators who commit - a variety of crimes. Even if you've never considered altering an image or becoming a crime scene investigator, you'll get a kick out of discovering the how and why behind both famous and common acts of image fraud with "Adobe Photoshop Forensics!"

When the first television was demonstrated in 1927, a headline in The New York Times read, "Like a Photo Come to Life." It was a momentous occasion. But the power of television wasn't fully harnessed until the 1950s, when the medium was, as Eric Burns says, "At its most preoccupying, its most life-altering." And Burns, a former NBC News correspondent who is an Emmy-winner for his broadcast writing, knows about the impact of television. Invasion of the Mind Snatchers chronicles the influence of television that was watched daily by the baby boomer generation. As kids became spellbound by Howdy Doody and The Ed Sullivan Show, Burns reveals, they often acted out their favorite programs. Likewise, they purchased the merchandise being promoted by performers, and became fascinated by the personalities they saw on screen, often emulating their behavior. It was the first generation raised by TV and Burns looks at both the promise of broadcasting as espoused by the inventors, and how that promise was both redefined and lost by the corporations who helped to spread the technology. Yet Burns also contextualizes the social, cultural, and political events that helped shape the Fifties--from Sputnik and the Rosenberg trial to Senator Joseph McCarthy's Red Scare. In doing so, he charts the effect of television on politics, religion, race, and sex, and how the medium provided a persuasive message to the young, impressionable viewers.

Computers, Chess, and Cognition presents an excellent up-to-date description of developments in computer chess, a rapidly advancing area in artificial intelligence research. This book is intended for an upper undergraduate and above level audience in the computer science (artificial intelligence) community. The chapters have been edited to present a uniform terminology and balanced writing style, to make the material understandable to a wider, less specialized audience. The book's primary strengths are the description of the workings of some major chess programs, an excellent review of tree searching methods, discussion of exciting new research ideas, a philosophical discussion of the relationship of computer game playing to artificial intelligence, and the treatment of computer Go as an important new research area. A complete index and extensive bibliography makes the book a valuable reference work. The book includes a special foreword by Ken Thompson, author of the UNIX operating system.

The scope of US antitrust law as defined in the Supreme Court's decisions in Trinko and Credit Suisse Securities is much narrower than the scope of EU competition law. US antitrust enforcers have become increasingly reluctant to apply antitrust rules to regulated markets, whereas the European Commission has consistently used EU competition rules to correct the externalities resulting from government action. The contrasting approaches adopted by US and EU antitrust enforcers to these issues, as with the differences in addressing market dominance, have had a profound impact on the scope of antitrust intervention in the IP field. This book provides an in-depth analysis of the relevant recent developments on both sides of the Atlantic and identifies the pitfalls of regulating IP through competition rules. With a unique comparative perspective, this book will be an invaluable resource for postgraduate students, academics and practitioners in IP and competition law.

In simple terms, intellectual property is a product of the human intellect that has commercial value. Intellectual property encompasses a wide range of creations—from fiction, poetry, songs, designs and artwork to ads, product names, mechanical inventions, processes, chemical formulas, machines and software. The commercial value of intellectual property comes from the ability of its owner to control its use. If the owner could not legally require payment in exchange for use, ownership of the intellectual property would have intellectual worth but no commercial value.

To travel from premodernism through modernism and into post-modernism might take several centuries and even millennia. American legal thought, remarkably so, has made the voyage in just over two hundred years. My purpose is to tell the story of this mercurial journey.

André Gorz argues that changes in the role of the work and labour process in the closing decades of the twentieth century have, once and for all, weakened the power of skilled industrial workers. Their place has been taken, says Gorz, by social movements such as the women’s movement and the green movement, and all those who refuse to accept the work ethic so fundamental to early capitalist societies. Provocative and heretical, Farewell to the Working Class is a classic study of labour and unemployment in the post-industrial world.

This book meets head-on the difficulty of making practical use of new systems theory, presenting a selection of varied applications together with relevant theory. It shows how workable identification and control solutions can be derived by adapting and extrapolating from the theory. Each chapter has a common structure: a brief presentation of theory; the description of a particular application; experimental results; and a section highlighting, explaining and laying out solutions to the discrepancy between the theoretical and the practical.

In this volume, leading scholars tackle the debate over intellectual property rights in high-technology industries and express their views on how to improve the current system.

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.

This text offers guidance on how and when to use a particular software tool (with their companion data sets) from among the hundreds offered when faced with a data set to mine.

Ein exzellenter ABGB-Kommentar, der Umfang und Teife seiner Kommentierung zum Trotz auch den Vorteil der Kompaktheit hat. Ein Muss für jede juristische Handbibliothek!" RPA aktuell 2/2008 "... Der Kommentar besticht durch Aktualität, Praxisnähe und Benutzerfreundlichkeit ... Der "KBB" kann jedem Rechtsanwender, der mit Zivilrecht in Berührung kommt oder täglich damit konfrontiert ist, wärmstens empfohlen werden und sollte in keiner juristischen (Hand-)Bibliothek fehlen." Österreichische Juristen-Zeitung 1/2008 "... Aufgrund der Aktualität und seines kompakten Umfanges wird es diesem Kommentar mit Sicherheit gelingen, jene Stellung in der rechtlichen Praxis, die er sich seit dem Erscheinen der ersten Auflage "erobert" hat, auch in Hinkunft zu festigen und auszubauen." Das Recht der Arbeit 1/2008 "... Ein wertvoller Kommentar auch zu Rechtsfragen, die das Wohnungseigentum betreffen, auch für Nichtjuristen ..." GdW-Informationen 12/2007 "... Aktualität, Praktikabilität, höchstgerichtliche Judikatur sowie weiterführende Problemaufbereitung stehen auch bei der Neubearbeitung im Vordergrund. Wertvoll: Das detaillierte Sachverzeichnis und die Angabe der AZ bei Entscheidungen seit 1990." Salzburger Nachrichten 4.12.2007 "... Damit steht ein handlicher und aktueller Arbeitsbehelf für alle privatrechtlich tätige Juristen, seien sie in der Forschung oder in der Praxis tätig, zur Verfügung, der sicher dieselbe wohlwollende Aufnahme finden wird wie die 1. Auflage." Österreichisches Recht der Wirtschaft 10/2007 "... ist der "KBB" ein unerlässlicher Bestandteil einer jeden Bibliothek eines liechtensteinischen Praktikers." Liechtensteinische Juristen-Zeitung Heft 3/2007 "... Das Werk besticht durch die prägnante und verständliche Sprache der Autoren, den klaren Aufbau sowohl des Kommentars als auch der einzelnen Kommentierungen und durch seine Einheitlichkeit der Bearbeitungstiefe

Intellectual property rights have undergone a significant expansion over the last half century, particularly since the Copyright Act of 1976. In The Political Economy of Intellectual Property Law, William M. Landes and Richard A. Posner (AEI Press; July 1, 2004) attempt to explain this expansion of intellectual property rights, and how it could have coincided with the deregulation movement. Should intellectual property be thought of as a form of regulation? Why did the movement for greater protection of intellectual property coincide with the deregulation movement? Landes and Posner apply public-choice theory to the growth and character of intellectual property protection over the last half-century. The authors argue that public-choice theory alone cannot explain the coincidence of the deregulation movement and the rapid growth of intellectual property protection. Political forces and ideological currents associated with the deregulation movement, combined with interest-group pressures, best explain the increases in intellectual property protection since 1976. The authors urge caution in equating intellectual property rights to physical property rights. They counsel skeptics of government to hesitate before extending a presumption of efficiency to a process by which government grants rights to exclude competition.

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