ч. 2. - 34-287 pp.

O. J. Simpson. The Central Park jogger. Bensonhurst. William Kennedy Smith. Rodney King. These are more than crimes and criminals, more than court cases. They are cultural events that, for better or worse, gave concrete expression to latent social conflicts in American society. In High-Profile Crimes, Lynn Chancer explores how these cases became conflated with larger social causes on a collective level and how this phenomenon has affected the law, the media, and social movements. An astute and incisive chronicle of some of the most polarizing cases of the 1980s and 1990s, High-Profile Crimes shows that their landmark status results from the overlapping interaction of diverse participants. The merging of legal cases and social causes, Chancer argues, has wrought ambivalent effects on both social movements and the law. On the one hand, high-profile crimes offer important opportunities for emotional expression and raise awareness of social issues. But on the other hand, social problems cannot be resolved through the either/or determinations that are the goals of the legal system, creating frustration for those who look to the outcome of these cases for social progress. Guilt or innocence through the lens of the media leads to either defeat or victory for a social cause-a confounding situation that made the O. J. Simpson case, for example, unable to resolve the issues of domestic violence and police racism that it had come to symbolize. Based on nearly two hundred interviews, Chancer's discussions of the infamous Central Park jogger and Bensonhurst cases-as well as the rape trials of William Kennedy Smith and Mike Tyson, the assault cases of Rodney King and Reginald Denny, and, finally, the O. J. Simpson murder trial-provide a convincing, multidimensional and innovative analysis of the most charged public dramas of the last two decades.

Through expert analysis and primary documents, The Supreme Court and Capital Punishment explores how rulings throughout the Courts history have shaped the guidelines under which Americans have been tried, convicted, sentenced, and put to death for capital offenses. Historian Michael Parrish recounts the history of the Courts involvement in all aspects of the death penalty, chronicling the major cases that define American capital punishment jurisprudence. Placing considerable emphasis upon twentieth century developments, the book examines the impact of these rulings upon the behavior of legislators, judges, prosecutors, defense attorneys, and defendants. The book also discusses in great detail the impact of race on the death penalty. As defendants and victims, African-Americans on trial for their lives in Southern courts became the central figures in the design and redesign of capital punishment in the twentieth century. The book illustrates how the Courts effective counsel decisions have played a major role in how states shape their public defender systems and how they respond to the claims of impoverished defendants charged with capital crimes. Other important topics include the Courts rulings on the constitutionality of execution methods; public opinion; the execution of minors and the mentally ill; and recent state death penalty repeals.

Even before Norma Jeane Baker changed her name to Marilyn Monroe, she began her passionate and enduring love affair with the camera. In the summer of 1945, while employed in an aircraft factory, she was selected to model for photographs to promote the war effort. The rest, as they say, is history. Her unparalleled relationship with the camera was one in which each partner was equally enamored with the other, and it lasted nearly twenty years. The full dimensions of that affair are superbly captured here for the first time. An unsurpassed photographic chronicle, Marilyn Monroe and the Camera brings together the most beautiful and unusual Marilyn Monroe photographs available – the early assignments for advertising and pinups, the film and publicity stills, the classic portraits by such notable photographers as Richard Avedon, Philippe Halsman, Cecil Beaton, and Bert Stern, the paparazzi shots from the hordes of photographers who followed her every move. These entrancing images provide a lavish and extraordinary tribute to the life of America’s legendary movie star.

Книга рассказывает об истории Англии с древних времен и до наших дней. Настоящее издание представляет собой перевод оригинальной книги Robin Eagles. The Rough Guide Chronicle. England. Книга будет полезна всем интересующимся историей, а также школьникам и студентам.

For Beatles lovers. The Complete Beatles Chronicle will take you on the journey of the Beatles through out there career.

In Tesla: Man Out of Time, Margaret Cheney explores the brilliant and prescient mind of one of the twentieth century's greatest scientists and inventors. Called a madman by his enemies, a genius by others, and an enigma by nearly everyone, Nikola Tesla was, without a doubt, a trailblazing inventor who created astonishing, sometimes world-transforming devices that were virtually without theoretical precedent. Tesla not only discovered the rotating magnetic field -- the basis of most alternating-current machinery -- but also introduced us to the fundamentals of robotics, computers, and missile science. Almost supernaturally gifted, unfailingly flamboyant and neurotic, Tesla was troubled by an array of compulsions and phobias and was fond of extravagant, visionary experimentations. He was also a popular man-about-town, admired by men as diverse as Mark Twain and George Westinghouse, and adored by scores of society beauties. From Tesla's childhood in Yugoslavia to his death in New York in the 1940s, Cheney paints a compelling human portrait and chronicles a lifetime of discoveries that radically altered -- and continue to alter -- the world in which we live. Tesla: Man Out of Time is an in-depth look at the seminal accomplishments of a scientific wizard and a thoughtful examination of the obsessions and eccentricities of the man behind the science.

Since its original landmark publication in 1980, A People's History of the United States has been chronicling American history from the bottom up, throwing out the official version of history taught in schools -- with its emphasis on great men in high places -- to focus on the street, the home, and the, workplace. Known for its lively, clear prose as well as its scholarly research, A People's History is the only volume to tell America's story from the point of view of -- and in the words of -- America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As historian Howard Zinn shows, many of our country's greatest battles -- the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality -- were carried out at the grassroots level, against bloody resistance. Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States, which was nominated for the American Book Award in 1981, features insightful analysis of the most important events in our history. Revised, updated, and featuring a new after, word by the author, this special twentieth anniversary edition continues Zinn's important contribution to a complete and balanced understanding of American history.

Since its landmark publication in 1980, A People’s History of the United States has had six new editions, sold more than 1.7 million copies, become required classroom reading throughout the country, and been turned into an acclaimed play. More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up. Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians. Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.

The early history of the Rolling Stones—long shrouded in myth and confusion as a result of 40 years of the rock and roll lifestyle—is made clear in this concise account. Chronicling the band members from boyhood through the band's first record, cut in 1963, this biography contains rare photographs and never before published interviews with family members as well as every member who played with the band prior to the recognized line-up—including pre-Watts drummers Erky Grant and Mick Avory; Mick Jagger’s cousin, Rick Huxley; early Stones member Dick Taylor; and Phil May, a schoolmate of Jagger and Richards and member of The Pretty Things. Every aspect of the band’s development is explored, from their recording sessions to landing on the music charts, in this myth-shattering musical history.

This book grows out of intellectual exchanges that began in October 2007 at “Islamophobia/Islamophilia: Beyond the Politics of Enemy and Friend,” the inaugural conference of the Islamic Studies Initiative (ISI) at the University of Michigan. I would like to thank Mark Tessler, director of the International Institute at the University of Michigan, for the generous support he has given this project from start to finish. Alexander Knysh, director of the ISI, helped conceptualize the original conference; Bryce Adams handled logistics; and Juan Cole and Sherman Jackson provided early inspiration. Some of the conference participants could not contribute essays to this volume, but I would like to thank Engseng Ho, Marcia Hermansen, and Mayanthi Fernando for helping us map out topics and approaches that would ultimately be explored by others. Paul Silverstein, Sally Howell, Mucahit Bilici, and Naamah Paley came to the project late, while other duties weighed heavily on them. I thank them for their keen interest and ability to adapt ongoing work to the needs of this volume, which has been greatly improved by their efforts. To the other contributors, Tomaž Mastnak, Moustafa Bayoumi, Lara Deeb, Muhammad Qasim Zaman, and Esra Özyürek, I owe special gratitude for their persistence, good ideas, and gracious dealings with their editor. Finally, I would like to thank Rebecca Tolen, for shepherding the volume through to print, and the anonymous reviewer at Indiana University Press, who encouraged us to add additional layers of critical nuance to our essays.

Curry is one of the most widely used—and misused—terms in the culinary lexicon. Outside of India, the word curry is often used as a catchall to describe any Indian dish or Indian food in general, yet Indians rarely use it to describe their own cuisine. Curry answers the question, “What is curry?” by giving a lively historical and descriptive account of a dish that has many incarnations. In this global history, food writer Colleen Taylor Sen describes in detail the Anglo-Indian origins of curry and how this widely used spice has been adapted throughout the world. Exploring the curry universe beyond India and Great Britain, her chronicles include the elegant, complex curries of Thailand; the exuberant curry/rotis of the Caribbean; kari/raisu, Japan’s favorite comfort food; Indonesian gulais and rendang; Malaysia’s delicious Nonya cuisine; and exotic Western hybrids such as American curried chicken salad, German currywurst, and Punjabi-Mexican-Hindu pizza. Along the way, Sen unravels common myths about curry and Indian food and illuminates the world of curry with excerpts from popular songs, literary works, historical and modern recipes, and illustrations depicting curry dishes and their preparations.

A companion volume to the author's Suicide in the Entertainment Industry: An Encyclopedia of 840 Twentieth Century Cases (2002), this reference work chronicles 298 cases of what can be broadly defined as "celebrity" homicides from the early twentieth century onward. Cases are drawn from the realms of film, theatre, music, dance and other entertainment fields. In each instance, the person was either the actual or suspected perpetrator or the victim of a murder. Included are entries on such well-known personalities as film comedian Roscoe "Fatty" Arbuckle, actress Sharon Tate, music producer Phil Spector, rap artist Notorious B.I.G., and superstar Michael Jackson. Each entry covers the crime, its legal disposition, and the subject's personal and professional background, comprehensively documented with notes and a separate bibliography.